Why the harp?

This is perhaps the most frequently asked question I receive, and the answer is deeper than you’d expect.

My first introduction to the harp was a performance by a Celtic harper in my elementary school music classroom. We all got to try the instrument afterwards, and I instantly fell in love. By merely running my fingertips across the strings, I was able to feel direct access to an incredible range of different sounds. It was this initial meeting that sparked my love of music.

When I started formally studying the harp, the technique and mechanisms seemed intuitive to me, regardless of how complicated they are. I realized this fluency with the harp could translate into easily communicating this auditory language, providing an opportunity for me to connect with others through music.

Sample Recital Programs:

"The Poetic Harp" - pairing a short poem to each musical composition. Some poetry directly inspired the composer, and others match the aesthetic of the music.

"The Feminine Musique" - centered around music by women composers, presenting works on both classical and Celtic harps. This program can also incorporate costume changes and different lighting for each piece.

"Dueling Harps" - bridging the gap between two genres of music - Celtic and classical. Selections generally alternate between the two harps, often with a connected theme (grief, joy, playfulness, relaxation).

"Metamorphosis" - harp and dance explore a journey of self-discovery and growth, inspired by the effects of the

CONTACT THE ARTIST:

info@abigialkentharp.com

Concerto Repertoire:

Handel Harp Concerto in B-flat

Mozart Concerto for Flute and Harp

Debussy Danse Sacrée et Danse Profane

Tailleferre Concerto for Harp

Ginastera Concerto for Harp

Glière Concerto for Harp

Pierné Concertstück

Rodrigo Concierto de Aranjuez